Gregory Heisler is a photographer and educator renowned for his technical mastery and thoughtful responsiveness. His enthusiasm, curiosity, and drive are manifested in his hands-on approach to all aspects of the image making process.
His iconic portraits and innovative visual essays have graced the covers and pages of many magazines, including LIFE, ESQUIRE, GENTLEMEN'S QUARTERLY, GEO, SPORTS ILLUSTRATED, ESPN, and THE NEW YORK TIMES MAGAZINE, yet he is perhaps best known for his more than seventy cover portraits for TIME magazine. He has also photographed advertising campaigns for such clients as American Express, Benson & Hedges, Dewar's, Merrill Lynch, and Nike.
Private portrait commissions are another important focus of Gregory's work. The first photographic portrait for New York's City Hall was his lithographic print of Mayor Edward I. Koch. Most recently, Gregory completed large-scale portraits of noted authors and actors on display at the National Arts Club in New York City.
Among the many kudos he has received are the Alfred Eisenstadt Award and the Leica Medal of Excellence. Gregory has been profiled in AMERICAN PHOTO, COMMUNICATION ARTS, ESQUIRE, LIFE, and numerous industry periodicals.
As a sought-after speaker and educator, he has taught at the International Center of Photography, The School of Visual Arts (Master of Fine Arts Program), The Smithsonian Institution (Masters of Still Photography Series), and the National Geographic Society, as well as scores of workshops and seminars throughout the country and overseas. Gregory is currently Artist-in-Residence at Hallmark Institute of Photography.
2013 EVENTS WITH GREGORY
The Next Step - Developing A Personal Style 2-4 March
The Language of Light 5,7-8 March
Maine Media Workshop
Light Work - Embrace the power of light July 21-27
The Evocative Portrait - April 15th and Early Riser Workshop (Optional) - Arnold Newman as Influence and Mentor - April 16th Auckland In-Focus event August 1-5
“Finally, I don’t miss the darkroom. With ILFORD’s new Fine Art line I’m making rich, luscious prints I couldn’t make before. In black-and-white or color, it’s just so hands-down beautiful.”