Michael Clark is an internationally published outdoor photographer specializing in adventure sports, travel, and landscape photography. He produces intense, raw images of athletes pushing their sports to the limit and has risked life and limb on a variety of assignments to bring back stunning images of rock climbers, mountaineers, kayakers, and mountain bikers in remote locations around the world. He uses unique angles, bold colors, strong graphics and dramatic lighting to capture fleeting moments of passion, gusto, flair and bravado in the outdoors. Balancing extreme action with subtle details, striking portraits and wild landscapes, he creates images for the editorial, advertising and stock markets worldwide.
As a former physicist Michael has worked on both sides of the technical revolution – helping refine the technology and using it for his current profession. Michael has worked as a professional photographer since 1996 and added digital photography to his repertoire in 2003. While Michael still shoots some film, mostly medium format, the lion’s share of his images are now produced with high-resolution digital cameras. He has been featured in Digital Photo Pro (December 2011), Outdoor Photographer (September 2001), Nikon World Magazine (Summer 2006), Digital Photographer (UK, 2010), Rangefinder Magazine (May 2010), and New Mexico Magazine (2007) for his work with extreme sports. Digital Photo Pro proclaimed Michael a "Master of Adventure" Photography in their 2011 Masters issue.
He contributes to National Geographic, National Geographic Adventure, Sports Illustrated, Outside, Men's Journal, Backpacker, Outdoor Photographer, Digital Photo Pro, Climbing, Alpinist, Rock and Ice, Bike Magazine and The New York Times among many others.
A sampling of Michael's advertising clients include Apple, Nike, Nikon, Adobe, Red Bull, Microsoft, Nokia, Patagonia, Propel/Gatorade, Pfizer, DuPont, 20th Century Fox, Black Diamond, Cloudveil, Prana, Arc'teryx, Camelbak, La Sportiva, Gregory Packs, and Butterfield and Robinson.
In addition to shooting still images, Michael has also launched Michael Clark Productions, which produces top-notch motion and video pieces using state of the art digital cinema cameras.
“I have tested dozens and dozens of papers for my fine art prints and for my print portfolio. Ilford Gold Fibre Silk is by far the best Baryta-type paper I have ever printed on. It gives my images the impact I meant for them to have when I shot them, especially when printed large, and the color gamut of this paper is truly phenomenal. One of my other favorites, for those times when I want the fine art feel of a matte paper surface, is Ilford Gold Cotton Textured. It has a rich feel and a mysterious luminance that makes images glow as if lit from behind."